Most of all, Mos is just having fun frolicking in the fertile fields of his love for hip-hop, tossing offhand references to Run-DMC, Outkast, Ultramagnetic MC's, Pete Rock & CL Smooth, and others, and it ends on the single "Casa Bey," a relaxed and defiant jazzy party of an artist who knows he's come into his own. However, the Mos Def on THE ECSTATIC feels like Mos Def Engaged, as the hip-hop wordsmith from Brooklyn lays down some sharp invectives over backdrops both inventive and downright groovy, beats set down by Madlib, Oh No, and many other greats of the game.
Flash, Madlib, Mos Def, Oh No, Preservation, and The Neptunes. The album was recorded during 2007 to 2009, and production was handled by J Dilla, Mr. The Ecstatic is the fourth studio album by American hip hop artist Mos Def, released Jon Downtown Records.
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2006's TRUE MAGIC, while containing some solid tracks, was more of an afterthought to fulfill a label contract. Listen free to Mos Def The Ecstatic (Supermagic, Twilite Speedball and more). After releasing the critically acclaimed BLACK ON BOTH SIDES in 1999, featuring its near-perfect balance of hooks and innovative genre-bending, Mos journeyed deep into the unknown on the experimental THE NEW DANGER. Though there are highlights throughout, two of the most notable tracks are at the very end: "History," where Talib Kweli joins in over a wistful J Dilla beat, and "Casa Bey," where a playful Mos Def somehow keeps up with Banda Black Rio's deliriously frantic samba funk.Mos Def's 2009 release (and Downtown Records debut), THE ECSTATIC, spent a significant time simmering. Flash, the album is a gumbo that adds juicy dub thwacks, regal synthetic horns, tangled piano vamps, dashes of spiritual jazz, and rolling Afro-beat, almost all of which is cloaked in light reverb. Combined with backdrops from Georgia Anne Muldrow, Preservation, the Neptunes' Chad Hugo, and the Ed Banger label's Mr. Altogether, they provide much of the album's dusty off-centeredness even though "Supermagic" has Mos Def at his most energized and alert, its needling psychedelic guitars and sweeping Bollywood drama are transportive. Supermagic,Twilight Speedball,Auditorium - Mos Def,Wahid,Priority,Quiet Dog,Life in Marvelous Times,Embassy,No Hay.
Some of the productions from brothers Madlib and Oh No were pulled from their instrumental releases, including a pair from the India-themed installments of the Beat Konducta series. complex verses with the highly animated Mos Def and newcomer Mad Skillz. The Ecstatic Mos Def 2009 8.0 Best New Music By Nate Patrin Genre: Rap Label: Downtown Reviewed: JRapper's first solo album in almost three years is a small-globe statement that. After releasing the critically acclaimed BLACK ON. For those who are deeply into the Stones Throw label, the album won't take quite as long to process. Following the release of 1999’s Black On Both Sides, Mos Def fell prey to Ice Cube syndrome: The more money his movies made, the less interested he became in creating great music. Cassette, vinyl or CD singles equally appropriate for more than one format are. Mos Defs 2009 release (and Downtown Records debut), THE ECSTATIC, spent a significant time simmering. Oscillating between cerebral gibberish and seemingly nonchalant, off-the-cuff boasts, it's obvious that Mos Def is back to enjoying his trade. Mos Def’s raps about global politics, love, spirituality, and social conditions were informed by the zeitgeist of the late 2000s, Black internationalism, and Pan-Islamic ideas, as he incorporated a number of Islamic references throughout the album.
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It was evident that he was not inspired, no doubt prompting a fair portion of his followers to think, "OK, maybe we should have been more specific: please make a good rap album." On The Ecstatic, it's not as if Mos Def makes a full return to the lucid/bug-eyed rhymes heard on decade-old cuts like "Hater Players" and "Hip Hop." Instead, he comes up with a mind-bending, low-key triumph, the kind of magnetic album that takes around a dozen spins to completely unpack. The Ecstatic was described by music journalists as a conscious and alternative Hip Hop record with an eccentric, internationalist quality. After he released 2006's True Magic, his first all-rap release in seven years - following the back-to-back instant classics Black Star and Black on Both Sides - it was easier to understand why he had been devoting much more time to acting and diversions like The New Danger. During the first several years of the 2000s, it wasn't unreasonable to want Mos Def, one of the most dazzling living MCs, to make a rap album.
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